Ross Macdonald’s hardboiled crime novel is closer to Raymond Chandler in tone and style than any other book I’ve encountered.
The prose isn’t quite there – Chandler dropped fragments from half-visible poems on to every page – but the hard California sunlight, the squalor and snobbery, and the neither-tarnished-nor-afraid protagonist are.
Well, hold on, I’ll go a bit further: there are moments where Macdonald’s prose made me wince, as in his description of a pretty girl as ‘doe-eyed’. Minimalism conceals a lot; this small choice reveals it.
The story, though, is reminiscent of Chandler’s The Little Sister, but perhaps better engineered. Though the action (involving multiple aeroplanes, car and $3 motel after another) runs from California to Canada via the American Midwest, everything connects neatly, and all the apparent coincidences are proved to be nothing of the sort.
Is John Galton Jr a Tom Ripley to be feared, or a poor orphan to be pitied? Prince Charming, or Norman Bates? That tension is a powerful engine to build a mystery around.
Lew Archer shares about 80 per cent of his DNA with Philip Marlowe but would be more fun to share an office with. He doesn’t drink as much, seems a more functional human being, and isn’t as prone to pointless self-sacrifice.
I might go so far as to recommend Macdonald over Chandler to those interested in reading their first hardboiled detective novel. Being a little less showy in his writing, less weirdly obsessed with chivalry, and markedly less sour, he is probably less likely to alienate than Chandler, while still being stylish and sharp.