Categories
Fiction

FICTION: The Newhamstead Goblin

You stop calling the police after a while, d’yer know worrimean? What’s the point? Either they don’t come at all, or by the time they turn up, the bloody thing’s gone to ground.

They think we’re daft enough up here as it is, up at Longwood. Normal for Longwood – NFL. That’s what the doctors write on your clipboard at the hospital. It means they think you’re either mental, or thick.

So, yeah, you don’t call the police. You just learn to live with it. Well, you have to, don’t you, know worrimean? Life’s too short, intit?

In practice, that means, one, trying to get home before dark. If you can’t, get a cab to the door, and get in quick.

Two, keep your doors and windows shut and locked after dark – which is easier said than done with these summers we have nowadays, don’t get me started! And before you say it, yes, we’ve tried nets over the windows, which is how we lost two dogs and a toddler back in 2015. ‘Mystery disappearance’ my arse. We all knew what did it. We told them. But they don’t believe you, do they?

Oh, and three, you keep your curtains drawn, because it’ll look in, if it can, and that’s no good. Best case, it puts you right off your tea, with them bloody eyes. Literally, I mean. Bloody. The eyes. Worst case scenario, you end up sort of mesmerised. That’s what they say happened to old Graham Dodd. Saw it, he did, and stared at it, and then climbed out the window. From the second floor of Thorncombe House, mind, so, well, you don’t need me to describe it.

Right, four: don’t answer your door after dark, even if it’s someone you know. God knows how but it’s got a way of speaking to you. I heard it once and I’d have sworn blind our Darren was outside. Your first thought is, oh, shit, I’d better let him in before that bloody thing gets him. Then you think, hang on, Darren’s in Corfu this week. Then it stops knocking and starts scratching like it’s going to burrow right through the wood.

In the daytime it’s alright. You don’t see it, not a sign. Maybe the odd footprint. Maybe a big pile of shit. Maybe an upturned car. You ignore it, though. Well, you have to, don’t you? You just get on with your life.

They asked me once, the lads from the Railwayman’s Club, did I want to go on a hunt for it. I said, no thank you, bugger that for a game of soldiers. Well, they did it anyway, out with their air rifles and cricket bats until dawn. Nothing. Sod all. Except when Kev Parsonage got home, it had been all through his house and ripped the place to shreds.

Have I seen it? Many times. Oh yes. Many times. First time, I’d have been about fourteen, not long after we moved here from up country. Nobody warns you, because they know you won’t believe them. They just wait for you to catch on yourself. I was out kicking a ball around the green, wondering why all the other lads hadn’t come out again after tea. Then I looked straight down Longwood Avenue, and I couldn’t make any sense of it at all. There was too much of it, in one way, but not enough at the same time. Too many arms and legs, that’s what I thought, but I couldn’t quite count them. The way it moved… Now, hold on, how do I put this? It was as if it wasn’t taking steps so much as shifting between them. Like… Like… Like dirty water pouring from one container into another. Does that sound daft? And the eyes. They were like old bike lamps, which was fine, until the bastard blinked.

Last time I saw it was about a week ago. Forgot to put the bins out, decided to risk nipping down the path to the gate after dark. Got most of the way there when, boom, there it is, eating something from the gutter, down into the drain, with that… What would you call it, oh, my bloody memory, that, um, that sort of trunk it has.

I should have taken a picture, I suppose. Then you’d understand. Maybe you wouldn’t. I’ve seen other people’s photos and it just looks like… Well, it don’t look like nothing. There’s literally nothing to see. A load of old dead leaves in the gutter, a tarp caught on the brambles, streetlights in a puddle. Nothing. It’s as if it knows how to make sure you can’t see it.

Trust me, though, that’s what it was – that’s what’s done this to you. I probably scared it off before it had finished, driving through with my lights on full beam. I’d like to help you, I really would, but I should never have stopped. And, like I say, you stop calling the police after a while, because they don’t come. They don’t believe you.

I’d best be on my way, mate. Let it finish what it started.

It’s for the best all round.


A quote from Verity Holloway: "Impressively eerie and packed with shocks... moments of powerful poignancy and startling strangeness. You'll want to linger over these stories." Next to it is the cover of Intervals of Darkness with a black background and red details. The illustration is of a person casting a long shadow. Nearby is another shadow suggesting a lurking but hidden figure.

If you enjoyed ‘The Newhamstead Goblin’ check out Intervals of Darkness, my most recent collection of weird stories, which is available as an eBook and paperback.

Categories
Fiction

FICTION: The Short Stay

All they want to do is get out of their wet clothes but the key doesn’t work. As Hannah struggles, Joe stands behind her sniffing the warm, musty air of the corridor.

‘Stinks of mice.’

Hannah tries pulling the key out a little as she turns it. She tries pulling up on the door handle. She tries pushing the key harder into the door.

‘Let me try,’ says Joe.

He pushes her aside, reaches for the key, and turns it without the slightest trouble.

‘Easy, see?’

The flat is smaller than it looked in the photographs on the booking website. The laminate flooring is scuffed and there is a vegetal smell.

Joe lugs his bag into the bedroom leaving Hannah to carry her own.

‘Fucking rail replacement fucking buses,’ says Joe, more to himself than to her. ‘“Let’s spend Christmas somewhere different,” she says. Oh, yeah, nice one. I don’t know why we ever bother going anywhere with the state of the trains in this country.’

‘Never mind,’ says Hannah. ‘We’ll have an early night tonight and explore the city properly tomorrow.’

Joe hangs his sodden black trenchcoat over the back of a chair and pulls his wet shirt away from his bony torso. Looking around he puffs out, despairing and disbelieving.

‘Merry Christmas to us, and happy anniversary.’

‘This is just a base, though, isn’t it?’ says Hannah, her voice beginning to crack.

‘You’d better change,’ he replies. ‘You look like a drowned cat.’

Hannah pushes a snake of dyed black hair behind her ear, her bangles rattling, and slides her glasses up her nose.

Joe won’t look at her. As he heads to the bathroom with their shared toiletry bag he slides past without making contact.

Alone, Hannah listens to the room for a moment. It has no sound at all. It’s too small and too full of furniture to reverberate. She wonders how many flats they managed to squeeze into the former warehouse when they converted it. Too many, anyway.

She hears the sounds of Joe using the toilet, the flush, the shower. Bathroom smells, shit and lime-scented gel, fill the small flat.

She removes her dripping dress and stands in her underwear, shivering and goose-bumped, while she unpacks her bag. She puts on pyjama bottoms and an oversized t-shirt and heads to the combined sitting room and dining area.

There are two windows looking out over an office block. Only a few lights are on – a meeting room on the first floor, an office on the sixth – so the wall of glass forms a blank, black mirror. She moves and spots her own reflection, sees herself doubled, distorted, reflected, shadowed. The flat’s windows open a few inches, not enough to jump from, but enough to let in frosty air and sounds from the street below: a whisper, a shrieking laugh, and the crunch of broken glass.

Joe emerges from the bathroom wrapped in a towel. His fine white hair is plastered to his head and his body looks thinner and paler than ever.

‘All yours,’ he says and disappears into the bedroom.

Hannah goes into the bathroom and locks the door. She can’t use the toilet because it’s not private enough for her to relax, but she sits on the seat for a while. There’s no window, only an extractor fan that hums at an irritating frequency. After a while she gives up and gets up to wash. Before she picks up the soap, she removes her wedding ring. It’s a struggle to get it over the knuckle, over the swell of flesh it pushes before it, but sheer force does the job. She places the ring carefully on the glass shelf above the sink. The metal clicks into place as if magnetised. Hannah washes her hands, neck and face, then dries herself with the only other towel in the flat. She flosses, cleans her teeth, and ties her hair up with an elasticated band.

When she reaches for the wedding ring, it is gone.

Her fingers crab and scrape around. She inspects the full length of the glass shelf. She drops to her knees and looks beneath the sink, finding only a tangle of cobwebs and hair. She looks under the bath and behind the toilet. She checks the plughole. No, it couldn’t have fallen down there, the strainer would have caught it. She pats the pockets of her pyjama bottoms. Finally, she looks into the toilet bowl where perhaps, she thinks, it might have rolled, which would be just her luck. Nothing.

‘What are you doing in there? Come to bed so I can turn the light off.’

Hannah feels a flutter in her heart.

She opens the door and, hesitating, steps across the hall to the bedroom.

He is already curled up beneath the duvet, his head almost buried.

‘I’ve lost my wedding ring,’ she says in a weak voice.

Joe emerges and peers at her, blinking and small-eyed.

‘What? When?’

‘Just now. Freshening up.’

He groans.

‘It can’t have gone far. We’ll find it in the morning. I’ll find it.’

She climbs into bed and reaches out for Joe.

‘Christ, you’re cold,’ he says, when her hand brushes his back.

He turns off the bedside lamp.

Exhausted but awake, Hannah lies and listens. Apart from Joe’s soft snoring, there is something else in the silence – the non-sound of someone holding their breath and holding still.

The morning is bright and Joe’s mood has improved a little. He even makes the coffee, bringing two cups into the bedroom.

‘Four sachets they’ve given us, and four little pots of fake milk. Stingy bastards.’

Hannah draws her knees up beneath the duvet and hugs them with one curled arm, the other lifting the steaming coffee cup to her mouth at intervals. Joe stares at his phone which, perhaps subconsciously, he angles so that Hannah can’t see the screen.

‘Can you have a look for my ring?’ she asks.

‘What? Oh, yeah, sure. In a minute.’

After a second or two he looks up from his screen and turns to her.

‘Why do you take your wedding ring off at all?’

‘It’s more hygienic,’ she says. ‘I don’t want it to get dirty under there.’

‘Yeah, but if you leave it on you’re putting it in hot soapy water. So it gets cleaned. It’s probably more hygienic that way, if anything.’

He turns back to his phone, chews his thumbnail to tidy the edges.

‘It’s supposed to symbolise eternity, isn’t it?’ he mutters. ‘Commitment. I never take mine off.’

‘What I don’t understand is how I lost it. It definitely didn’t roll and there’s nowhere for it to go.’

Joe puts his phone on the bedside table and limps into the bathroom groaning. She watches as he inspects the shelf, the sink, the floor, the plughole.

‘Probably got taken by the house elves,’ he says as he comes back to the bedroom. ‘Try asking for it back.’

‘How does that work?’

Stretching a t-shirt over his head and angular arms Joe says, muffled: ‘Hey, house elves – may I please have my wedding ring back? Like that.’

Hannah mutters the request under her breath. It doesn’t work, at least not immediately.

Joe spends another ten minutes investigating the bathroom before they go out and emerges with a shrug.

‘Sometimes there are gaps around the pipework but everything is sealed tight in there. I don’t know how you do it, I really don’t.’

Over an expensive breakfast at a cafe with oatmeal coloured walls and smashed avocado on sourdough toast Hannah says:

‘Let’s just forget about the ring and try to have a nice Christmas anyway. Just the two of us, somewhere new. We need to decorate the flat a bit. Brighten it up. And get some treats in.’

‘Beer. Wine. Gin.’

They spend the morning of the day before Christmas Eve shopping, buying a tiny tree with twinkling fibre-optic lights, a plastic wreath, and a candle that’s supposed to smell of fir trees. Joe lugs two heavy bags back from the supermarket and opens his first can of beer at exactly midday as he flips through channels on the TV.

As she lays out slices of ham, cheese and salami on a plate, and cuts a supermarket baguette into small rounds, Hannah looks at her hands. They look different without the ring, obviously, but do they look better?

‘We should go to the pub or something,’ says Joe after lunch, two cans of beer down. ‘While there’s still, like, an hour of daylight.’

They wrap up in coats, scarves, and hats and head out into the city. There are Christmas lights up in the centre and a busker is playing ‘Jingle Bells’ on an accordion. Hannah leads them to the cathedral which they circle, but Joe doesn’t want to go inside. The light begins to die and the grey sky turns flat, first, then begins to shade to blue. They drift back to the shopping precinct and its bright lights.

‘That place looks cosy,’ says Joe, spotting a half-timbered pub called Ye Olde Bear. He heads through the door and Hannah follows. It’s crowded and hot with half the customers in novelty Christmas jumpers. Joe pushes his way to the bar and raises a hand to get the attention of the barman. His wedding ring, a thick, plain band, glints amid the fairy lights. He orders Hannah’s usual half of lager and a pint of cider for himself.

Because it’s Christmas, when the usual rules don’t apply, they both drink too much. Hannah’s usual limit is three pints but she ends up drinking five. Dinner is two cheese rolls and a packet of crisps. Joe is on eight pints when he decides to switch to single malt whisky, because it’s Christmas, and Hannah agrees to have one, too, because it’s Christmas, and suddenly, it’s nearly midnight and the pub is closing around them.

They go from giggling arm-in-arm to arguing in no time at all. They both need the toilet but Joe insists on pissing behind a wheelie bin, prolonging her discomfort. He wants to find a kebab shop. She begins to cry, for no particular reason, just everything, and he raises his voice without meaning to.

‘Go back to the flat, then! Take the key! I’ll see you there when I’ve had my chicken doner.’

‘You want me to walk back on my own, in the dark, in a strange city?’

‘Fuck sake… Come with me, then!’

‘I really need a wee.’

He shoves the keyring into her hands.

‘I’ll see you there in, like, fifteen minutes.’

Hannah watches him stagger away and wonders what it is she feels, other than heartburn from the whisky and a pressing pain in her bladder.

The next morning, Christmas Eve, she wakes with a head that feels like concrete and a papery mouth. Joe is not with her. She croaks his name then checks her phone. There are several missed calls and messages from Joe, each more desperate than the last. She must have fallen asleep, or passed out, leaving him stuck in the street outside all night. The last message reads:

‘Will sleep in park. Fuck you.’

Dressing hurriedly, wanting to vomit, she rushes out and downstairs, trying to work out which park he might have meant. She calls him and listens to his phone ring as she walks over frosty cobbles. He doesn’t answer.

The nearest park is by the riverside. She makes a complete circuit, checking each bench and shelter, looking at the single-person tents concealed in the hedgerows and copses. She shouts his name, screams it, constantly redialling his number.

‘What if he comes back to the flat and I’m not there?’ she thinks after a while. She returns to wait for him.

Wide awake now, shaking with cold and adrenalin, she sits down in the kitchen. She closes her eyes, breathes out, breathes in, breathes out, breathes in, but calm never comes.

Her eyes pop open when something slams into the tabletop.

There in front of her something is spinning and shining. She is mesmerised. It slows to a teeter and then falls flat on its side. Her wedding ring. 

She sees the second ring fall, seeming to appear from somewhere just above her head, before it hits the table with force. It is thicker and heavier and begins to roll. To stop it reaching the table’s edge she reaches out and slaps it flat.

It feels hot.

She looks at her palm.

A perfect red circle has been burned into the skin.


Image based on a photograph by Luwadlin Bosman at unsplash.com

Categories
buildings Fiction

FICTION: The Architects

‘I think I’d like to see Mountvale again,’ said Julian German from the tangle of his duvet.

Esther German, on her way to the airing cupboard with unnecessary haste, paused in the doorway of his room and peered at him. She smoothed a towel over her arm.

‘Did you say something, Jules?’

‘I said, woman, that I would like to see Mountvale one last time.’

Esther removed her glasses and let them hang around her neck on their beaded strap. She blinked and twitched.

‘Mountvale?’

‘Christ give me strength… Mountvale school. Bloody Mountvale. Again, meaning another time; once more.’

Esther came into the room with its smell of antiseptic cream and sweat. She lowered herself into the dusty steel-framed chair against the wall. Its feet scraped on the dull parquet. Julian winced.

‘The weather’s awful. Wouldn’t you rather spend the day in? I can find a film for you to watch.’

Julian put his hands behind his head.

‘No, I bloody wouldn’t. I want to see that school. One last time.’

‘I don’t see why. It’s a very ordinary building and–’

‘Russell Cavendish brought it up the other day. Said somebody from Historic England was talking about getting it listed. Unique example of post-war construction.’

‘But Russell–’

‘The first use of curtain walling in the whole county,’ Julian went on.

Esther looked towards the large window, speckled with rain and streaked with green moss at its corners.

Julian shook his head and growled.

‘Are you going to drive me or shall I drive myself?’

Julian had always been too tall to sit comfortably in cars. Even now, with a hump in his back and a couple of inches lost to the erosion of his spinal cartilage, he looked uncomfortable in the passenger seat of the Citroen.

Esther leaned forward against the steering wheel, thin wrists at ten to two. Her lips were pulled back from her teeth as she squinted past the windscreen wipers.

A passing van threw a fine mist from the road.

‘Left,’ snapped Julian, pointing with bunched arthritic fingers.

Esther ignored him.

He grabbed at the steering wheel.

‘Bloody left, woman! Left.’

She slapped his hand away and he winced.

‘Don’t panic, darling. I’m driving, not you, and I know the way.’

He stroked the translucent skin where she’d made contact, inspecting for a bruise, and pouted.

‘Do you? Know the way, I mean? I didn’t see you look at a map before we left.’

‘I don’t need a map.’

‘Typical woman. Why bloody plan anything?’

At a roundabout, she took the right exit. Julian leaned towards the window, scanning the road signs. He looked over his shoulder.

‘Where the bloody hell are we going now?’

‘It’s funny,’ said Esther, her voice unsteady. ‘The listing thing. Nothing we worked on was built to last, was it?’

‘Speak for your bloody self,’ said Julian, forgetting for a moment his anxiety over the route. ‘I always saw my work in context as part of the broader sweep of history.’

‘Our work,’ said Esther.

‘Oh, for God’s sake…  Yes, yes, technically, yes.’

‘And do try not to lecture. I’m not one of your students.’

He shrugged and folded his arms.

‘You were never a preservationist, anyway,’ she went on. ‘Knock it all down, you used to say.’

Julian didn’t reply.

Esther took her eyes off the road for a moment and saw that he’d fallen asleep, quite suddenly, as he often did in the car.

‘This isn’t the way to Mountvale,’ Julian bellowed.

‘I do wish you’d wear your hearing aid, darling. Then you’d know how loud you’re being.’

‘I don’t need it. My hearing is fine. And this is completely the wrong direction.’

They were on a country lane, now, passing through a village with a Norman church.

‘I thought we might go somewhere else instead of Mountvale,’ said Esther.

‘Where the hell are we?’

He saw and recognised the pub and so knew the village.

‘There’s a layby up ahead. You can turn there.’

‘Wouldn’t you like to stop for lunch? You could have a pint of beer.’

‘Don’t mother, me woman. For one thing, you’ve had no bloody practice. Just turn the car around and take me to Mountvale.’

Esther did as she was told, struggling with the gear stick as she conducted a five-point turn in ever-heavier rain.

‘I’m sorry,’ said Julian after a few moments, once he’d got his way. ‘About the mothering business. I forget sometimes.’

‘It’s alright, darling,’ said Esther. She sounded weary.

‘I’d have been a dreadful father, anyway.’

‘You certainly aren’t a terribly good husband.’

Julian laughed.

‘That’s my girl,’ he said, reaching across to pat her thigh. ‘As good as you get, eh?’

She brushed him away.

‘I’m driving.’

As they got nearer to Mountvale, in the early winter twilight, Julian became agitated again.

‘This is the estate, isn’t it? It’s changed a lot.’

‘Well, a lot of lives have been lived here,’ said Esther. ‘These buildings were always meant to be used.’

‘Plastic windows. Pebbledash. Pastel paint. Dreadful. Why did they cover the concrete?’ He raised his chin in lecturing mode. ‘It had such purity.’

‘But we didn’t have to look at it every day, did we? Or live in it, or work in it.’

‘Not that old argument!’ said Julian raising his voice and twisting in his seat.

She took advantage of his distraction to make a deliberate wrong turn.

‘Goldfinger lived in his tower, didn’t he?’

‘For a short while. But Le Corbusier lived in a fishing cottage. And Lubetkin lived in a Georgian townhouse.’

‘I’d have gladly lived on any of the estates where we worked. Our house, the house I designed for us–’

‘That we designed.’

‘Yes, yes, our house is true to the principles, isn’t it?’

Esther didn’t reply to that, not even to mention the draughts that blew through the open plan living area, or the water that gathered on the fatally flat roof all year round.

They were on a crescent, now, with a rippling concrete road and prefabricated homes. The house lights and streetlights had begun to come on.

‘This isn’t the way,’ said Julian. ‘I’m sure I remember…’ His mouth opened and closed as he tried to grip onto something. Spit gathered in the corners of his lips. He slammed a hand onto the dashboard.

‘Central square, community centre, health centre, shopping parade, schools complex opposite – primary, junior, secondary. These crescents are at the other end of the estate.’

‘You’re quite right, so they are,’ said Esther quietly.

‘What?’

She didn’t repeat herself, just flipped on the indicator and entered the final phase of the journey.

It couldn’t be avoided, now.

She parked the car half on the kerb and turned off the engine. The lights died with it.

They sat together in silence as rain sounded on the roof and windscreen.

Julian sighed.

‘Where’s my umbrella?’

Esther reached into the back seat and found it for him.

He undid his seatbelt and got out. After a struggle he got the umbrella up and lifted it. In his swollen hand, over his big head, it looked absurd, like something from Jacques Tati.

As he shuffled to the black cast-iron gate, Esther remembered when his stride was long and confident. She pulled the hood of her well-worn anorak over her head and joined him.

She looped her arm through his and they shivered together.

The gate and fence were still there but beyond was wasteland: concrete, wild grass, scattered bricks and litter.

‘The school’s gone,’ he said quietly.

‘Yes.’

 A large sheet of clear plastic trapped in brambles snapped and boomed.

‘But Russell said…’

‘Russell’s been gone a long time, too, darling.’

‘Gone?’

‘Three years.’

‘A highly significant building, he said, and now…’

‘Not significant enough. And with too much asbestos.’

Julian snatched his arm away.

‘A sound material, in its day. Hindsight is a bloody fine thing.’

‘Come on, Jules, let’s go home. Aren’t you hungry?’

Julian didn’t move except to raise a hand to the railings. He wrapped his fingers around the rusting metal and the wind filled his eyes with water.

The next morning, the sun made golden stripes on the far wall of the bedroom as it passed through the blinds.

‘Esther! Where the hell are you? 

Esther’s footsteps sounded along the parquet in the hall. She appeared in the doorway, small and exhausted.

‘I’ve had a thought.’

‘Yes?’

‘I’d like to see Mountvale one last time.’

Esther blinked and sighed.

‘Mountvale?’